The coronavirus pandemic lays bare how the living, the dead and the grey zone in between are organised into a global system of power, ecology and technology; a formation whose vulnerabilities and contradictions are being pressed to boiling point.
The underlying story in all this is not the content but the form—the form of the vehicle that brings the revelations in this mass (apparently) uninterpreted form, and the claims that are being made of it, writes Alison Caddick
