The ‘artist’ is no longer simply an individual maker, an avant-garde visionary, a person exploring the specifics and limits of a medium, or indeed any of the other familiar figures of aesthetic modernity. Instead, the ‘artist’ is marked out by their success at doing exactly what late capitalism demands; that is, everything, and in a flagrantly vacuous way.
…the modelling of potential suicides uses some of the actual experience of unemployment and suicide to underscore its figures, but it completely omits the sociological and historical understanding of a community’s reaction to a major social event such as a war or pandemic.
…just like becoming a parent, there is profound potentiality in the metamorphosis the coronavirus is forcing upon us. I faintly perceive that there is radical possibility in the question we are called to answer: what will we build in place of our old lives?
Blink and you’ll miss the Northern Territory on national COVID-19 graphs. Almost 34,000 tests have been conducted here since March. All 34 positively diagnosed people, mostly returned travellers, have recovered. No community transmission, no deaths.
Many of us have made the mistake of separating the pandemic from the egregious effects of neoliberal capitalism—they are, in fact, deeply enmeshed, as the genesis of the crisis and its differential effects testify.
Maybe what we have to hold onto is the idea of education as a good in its own right, not a dreary task to be got out of the way before we start the fun stuff, or a series of obstacles to be navigated en route to job-readiness.
After decades of encouraging competition between landlords and tenants, the government has turned around at lightning speed and now wants landlords and tenants to cooperate and negotiate. This is not in the nature of free-market economics...