Cameron Hurst is an art historian, writer, and editor who works at The Paris End and the University of Melbourne. She recently completed an MA in the History of Art at the Courtauld.
It has become an academic Psychoanalysis 101 cliché to invoke, as the exhibition text does, ‘ideas of surrealism, desire and the fetished or abject body’, but it’s hard to think of better words to describe the tasteful perversion on show here.
